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Yogi Bear — Yogi in the City

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Produced and Directed by Joe Barbera and Bill Hanna.
Credits: Animation – Ed Love, Layout – Tony Rivera, Backgrounds – Art Lozzi, Written by Warren Foster, Story Director – Paul Sommer, Titles – Art Goble, Production Supervision – Howard Hanson.
Voice Cast: Yogi Bear, Cop, TV Newscaster, Crowd – Daws Butler; Boo Boo, Ranger Smith, Narrator, Fireman, Toy Seller, Crowd – Don Messick.
Music: Hoyt Curtin.
First Aired: 1961-62 season.
Plot: Yogi finds himself in the city after falling asleep in a tourist’s trailer that leaves Jellystone Park.

Someone could be killed? Who cares! There’s money to be made!!

Warren Foster aims his cynical eye at crass commercialism in this cartoon. Yogi Bear is precariously perched on the ledge of an upper storey of an apartment building. He’s worried he could drop to his death, even though firemen have put out a safety net for him. Concerned bystanders on the pavement below point upward and chatter. Cut to a shot of a smiling guy hawking Yogi Bear dolls. “Here they are, folks!” he cries. “Get your souvenir bears here! Get ‘em before he jumps!”

Is it my imagination, or did Foster start adding a satirical edge to some of his gags in the Yogi cartoons after he started working on the adult “Flintstones” series?

Foster’s other great line in this cartoon shows the self-awareness the characters had on occasion. Yogi complains to Ranger Smith that the noise from a drip in the roof of his cave is keeping him from hibernating. Smith resorts to insult humour. “You go back into your cave and then,” Smith chuckles, “there’ll be two big drips in there.” Smith grabs Yogi’s shoulder and starts laughing. The bear gives him a dirty look. “You want to have a show of your own, sir?” he asks sarcastically.

Tony Rivera laid out this cartoon and designed the props. He came up with some neat, stylised vehicles. The characters are stylised, too.



The incidental characters elsewhere in the cartoon look like your regular Hanna-Barbera humans of the early ‘60s. Rivera sure loved those parallel jaw lines.



The background assignment went to Art Lozzi in this cartoon. The downward-pointing tree fronds you can see when Yogi’s sleeping in the trailer is a dead giveaway. And Lozzi is still into his Blue Period. Hills are blue, some trees are a shade of blue and so on. Here’s part of the drawing that is panned to open the cartoon. As in other cartoons with backgrounds by Lozzi, the clouds hug the humps of the hills. A very attractive scene.


Some other miscellaneous backgrounds.



The animation in this cartoon is courtesy of Ed Love. We’ve talked about his head and body movements where he seems to have some part of a character moving in each frame, while other parts remain stationary until the next frame, or the frame after that. Here are a couple of neat drawings. The first one is part of a cycle when Yogi is caught in a revolving door and keeps revolving into a building (and up the elevator and then onto a ledge outside the building). The next is when Yogi is stops revolving in mid-air, realises he’s umpteen storeys up and zips back onto the ledge.



Yogi would jump from the ledge into the safety net below but he has cold feet. Foster and Love follow with a punny sight gag.



The basic story—it’s hibernation season at Jellystone Park (What? Again?!) and Yogi and Boo Boo retreat to their cave. A drip from the roof prevents Yogi from sleeping and he’s shooed out of a tourist cabin by Ranger Smith when he tries to get some shut-eye there. He sleeps in a tourist’s trailer, but the trailer is hauled back into city. He wakes up, walks out of the trailer, is chased by cars and, in a panic, ends up on an upper-floor ledge outside a skyscraper. Back at Jellystone, Ranger Smith is watching TV when a news bulletin interrupts programming (What? Again?!) and shows Yogi’s predicament. Smith rescues Yogi from the ledge by flying over the building in a helicopter with a picnic basket (What? Again?!) lowered down (Yogi is in silhouette in long shot sitting in the suspended basket as the helicopter flies back to Jellystone). A Yogi rhyme ends the cartoon: “On a first-class flight, they feed you right.”


A nice little piano cue with tinkling, cascading notes opens the cartoon. You’ll hear some Flintstones music here, too, including the xylophone chase cue at the end.

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