One of the on-line auction sites was selling a couple of complete storyboards from two Hanna-Barbera cartoons produced in 1959, Huckleberry Hound’s “Huck’s Hack” and Augie Doggie’s “Cat Happy Pappy” (layouts for both by Dick Bickenbach). It’s a shame that not all 12 pages of each set of story panels was posted, but that’s understandable. However, four pages of nine panels were put on line and you can see them below.
“Huck’s Hack” has a neat opening that wasn’t used in the cartoon. Instead, the first three story panels were replaced with cycle animation of a long shot of Huck’s cab moving along a street. The crook in the cartoon (animated by Don Patterson) is also taller and thinner and wears a mask. I can’t say for sure, but I wonder if these drawings are by Alex Lovy (who arrived at the studio in March 1959 from Lantz.
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The sketches in “Cat Happy Pappy” are by the great Dan Gordon. Looking at the first panel, I’m reminded of a layout drawing I saw of Tex Avery’s “Little Rural Riding Hood” where Tex crossed out a picture on a wall in the background. He wants his setting to be as uncluttered as possible for the characters read better. You’ll notice a picture on the wall behind Doggie Daddy. That didn’t make it into the finished cartoon (however, in the second panel, a light socket isn’t there but appeared on the wall in the cartoon). The drawing of the cat on the chart is what you see in the cartoon. Someone (Joe Barbera maybe?) apparently debated whether the little kitten should make its quick exit from the house at body level or head level. Notice how Mike Maltese has some of Daddy’s dialogue in Durante dialect, referring to “pernty teeth.” The dialogue is pretty close to the completed cartoon.
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It’s great how these sketches have survived after 60 years. It’s interested to see how a cartoon looked before it was produced.
“Huck’s Hack” has a neat opening that wasn’t used in the cartoon. Instead, the first three story panels were replaced with cycle animation of a long shot of Huck’s cab moving along a street. The crook in the cartoon (animated by Don Patterson) is also taller and thinner and wears a mask. I can’t say for sure, but I wonder if these drawings are by Alex Lovy (who arrived at the studio in March 1959 from Lantz.
The sketches in “Cat Happy Pappy” are by the great Dan Gordon. Looking at the first panel, I’m reminded of a layout drawing I saw of Tex Avery’s “Little Rural Riding Hood” where Tex crossed out a picture on a wall in the background. He wants his setting to be as uncluttered as possible for the characters read better. You’ll notice a picture on the wall behind Doggie Daddy. That didn’t make it into the finished cartoon (however, in the second panel, a light socket isn’t there but appeared on the wall in the cartoon). The drawing of the cat on the chart is what you see in the cartoon. Someone (Joe Barbera maybe?) apparently debated whether the little kitten should make its quick exit from the house at body level or head level. Notice how Mike Maltese has some of Daddy’s dialogue in Durante dialect, referring to “pernty teeth.” The dialogue is pretty close to the completed cartoon.
It’s great how these sketches have survived after 60 years. It’s interested to see how a cartoon looked before it was produced.