Thank you to Mark Kausler for scanning and sending a number of Hanna-Barbera storyboards from his collection. Genial Genie is the last one.
Mark believes the board is by Alex Lovy, who was the story director on this cartoon. Warren Foster wrote the story, as he did all but one of the Yogis after Charlie Shows left Hanna-Barbera in 1959. The cartoon pretty much sticks with the way the scenes are depicted on the storyboard. Lots of close shots of dialogue which, unfortunately, aren’t visually very interesting.
Panel 8 has Yogi saying “bear-type buddy,” which is fairly typical. The cartoon substitutes “fuddy-duddy buddy,” a little odd considering Boo Boo isn’t really a fuddy-fuddy.
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You can see some X’ed off panels that didn’t make it into the cartoon for whatever reason. The dialogue in panel 17 is skipped. Too bad. The line works well.
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You can see some dialogue is cut in panels 22 and 27. And it appears some dialogue in pencil has been erased and written over.
To the right is what panel 25 looks like in the finished cartoon. The stylised Boo Boo in the storyboard looks funnier, but the actual character is constructed quite a bit differently.
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Tsk. Someone can’t spell the word “Aladdin” (see panel 59). Fortunately, it was corrected in the actual cartoon, either in layout or by Art Goble, who was responsible for lettering in the early H-B cartoons.
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“Weird hum”? (panel 67) No, it’s just the usual Hanna-Barbera harp sound effect found in all kinds of cartoons. To the right is Lundy’s version of panel 69. You’ll notice that he turns Yogi’s head slightly so he’s not in profile. And in the cartoon, the genie doesn’t have hands in the equivalent of panel 70, though they appear in the next scene (panel 71). I presume the notations on panel 70 are for colours; the genie isn’t outlined in black like the other characters in the cartoon.
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Panel 115 has the notation “Re-Do Dial.” And they did. The line in the cartoon is “The North American Air Defence Command protects the entire North American continent from air attack, Senator.” In the cartoon, the Senator also parrots words as if to show he understands what he’s being told. So we get “Oh, yes, protects,” “Um, um, ring” and so on.
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Panel 127 says “Wing Thru Sc[ene].” That’s exactly what happens on screen. Three times. The third rolls up the flying carpet (panel 128). Note the difference in the angle on panel 130 compared with the cartoon (there’s also a note on 130 for a diagonal pan).
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And, yes, the cartoon irises out with Yogi crying as Jack Shaindlin’s “Rodeo Day” plays in the background.
Again, thanks to Mark Kausler for supplying these complete storyboards for the last several months.
Mark believes the board is by Alex Lovy, who was the story director on this cartoon. Warren Foster wrote the story, as he did all but one of the Yogis after Charlie Shows left Hanna-Barbera in 1959. The cartoon pretty much sticks with the way the scenes are depicted on the storyboard. Lots of close shots of dialogue which, unfortunately, aren’t visually very interesting.
Panel 8 has Yogi saying “bear-type buddy,” which is fairly typical. The cartoon substitutes “fuddy-duddy buddy,” a little odd considering Boo Boo isn’t really a fuddy-fuddy.
You can see some X’ed off panels that didn’t make it into the cartoon for whatever reason. The dialogue in panel 17 is skipped. Too bad. The line works well.
To the right is what panel 25 looks like in the finished cartoon. The stylised Boo Boo in the storyboard looks funnier, but the actual character is constructed quite a bit differently.
“Weird hum”? (panel 67) No, it’s just the usual Hanna-Barbera harp sound effect found in all kinds of cartoons. To the right is Lundy’s version of panel 69. You’ll notice that he turns Yogi’s head slightly so he’s not in profile. And in the cartoon, the genie doesn’t have hands in the equivalent of panel 70, though they appear in the next scene (panel 71). I presume the notations on panel 70 are for colours; the genie isn’t outlined in black like the other characters in the cartoon.
Panel 127 says “Wing Thru Sc[ene].” That’s exactly what happens on screen. Three times. The third rolls up the flying carpet (panel 128). Note the difference in the angle on panel 130 compared with the cartoon (there’s also a note on 130 for a diagonal pan).
And, yes, the cartoon irises out with Yogi crying as Jack Shaindlin’s “Rodeo Day” plays in the background.
Again, thanks to Mark Kausler for supplying these complete storyboards for the last several months.