No wonder linotype machines across the U.S. clattered away with the story of Hanna-Barbera in 1960.
Here’s one from the New York Post, July 5, 1960. It’s not only plugging the coming debut of The Flintstones, but it’s nibbled at the bait of the riches-to-almost rags-to-riches story of the studio.
This story mentions a few Flintstoney things that must have been part of a publicity handout, things I keep going “hunh?” about. There’s a reference to the Young Cave Men’s Association. I don’t recall it ever showing up in the series. The story also talks about an “adobe hut.” I always thought the houses in Bedrock were made of, well, bedrock, with a slab roof. And this is yet another story that refers to Fred’s car having fins. Did it ever? I can picture Ed Benedict designing cars with them.
Poor Bea Benaderet’s name gets misspelled once more. Maxie Rosenbloom appeared in the prowler episode. For years, I thought it was Alan Reed, who used to do a Maxie Rosenbloom type voice. Rosenbloom auditioned for Top Cat but lost to Arnold Stang.
On the Air
By BOB WILLIAMS
When Bill Hanna and Joe Barbera got their walking papers from MGM three years ago, they had every reason to believe they were "all washed up."
Rigor mortis had set in on the animated cartoon industry.
"For 20 years," said Barbera, "we'd been doing the 'Tom and Jerry' cartoons for MGM. We never missed a year for 18 years being nominated for an Oscar. We actually won seven Oscars.
"But MGM said there was no longer any market in motion pictures for cartoons.
"We went around to the TV industry and they said there was no place in TV for cartoons—new ones, at least.
"We couldn't believe it. They were still playing back stuff from the movies which was at least 20 years old. Fortunately we were able to come up with some new characters which made the old stuff look even older."
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In Hollywood Hanna and Barbera were running the biggest animated cartoon studio in the world.
"Huckleberry Hound," the most successful TV character, had an Emmy award as the season's "Best Children's Show."
"Quick Draw McGraw" and "Ruff and Reddy" were also prospering.
In addition, Hanna and Barbera were hard at work on the first animated cartoon series aimed at an adult audience, "The Flintstones," which will run in an 8:30 p.m. Friday time slot on ABC next fall.
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Tentative fall schedules of the three networks promise nothing strikingly "new" in TV fare. "The Flintstones," at least, looms as something remarkably "different."
"The Flintstones" are a Stone Age family that runs into the same social pressures as those confronting contemporary split-level society.
"It's something of a satire on our modern society," said Barbera.
They wear "skins," of course. The ladies' skins are "beaded."
"At first, we had them in modern dress," said Barbera, "but they looked too much like TV commercials."
A TV antenna juts up from the roof of the family's adobe hut. Fred carries a flip-top lighter which, when it opens, consists of two crossed twigs. He belongs to the YCMA (Young Cavemen's Assn.). He works for the "Rockbed and Quarry Cave Construction Co." as the operator of a "dinosaur" (which works like a construction crane).
"We're getting a wonderful opportunity in this for satire," said Barbera. "Up to now, we've always done animals. We never considered the great possibilities of portraying humans. "There'll be a little bit of everybody in it."
The "voices" are being recorded by such veterans as Bea Benadaret (of the George and Gracie series), Mel Blanc, Maxie Rosenbloom.
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It would seem that Hanna and Barbera took those MGM walking papers and walked off with the TV cartoon market.
"Since we sold The Flintstones,'" said Barbera, "about 30 pilot projects for animated cartoons have been put on the market. The imitators are growing every week.
"We don't, of course, know where they're going to get the necessary artistic help. We've already employed practically all the top talent in town, including the staff we worked with at MGM."