One of the things I like about the series is the futuristic inventions, all based on something grounded in the present (egs., a visual telephone, robots, a machine that dispenses food pills). There really isn’t much of that in this episode. There’s one machine that shrinks everyone. Other than that, this episode consists of a bunch of short jokes and short puns. Oh, and there’s the standard, Hanna-Barbera I-don’t-believe-what-I-see traffic cop. I wish I could get more excited about the plot, but I can’t.
The first few minutes of the cartoon are spent in another Spacely vs Cogswell battle. It sets up the plot but, boy, talk about two unlikeable characters. And the laugh track. “Quite, Spacely! Can’t you see I’m putting?” says Cogswell. The laugh track thinks that’s funny. I don’t get the joke. I feel bad for the studio because, if this was a situation like The Flintstones, ABC imposed the laugh track on them. Cogswell smacks Spacely with a golf club that smashes through the Visiphone and Spacely bops him with a bowling ball.
The laugh track chuckles away when the next scene starts, showing Jetson’s car flying on its own. There’s a scene where Jetson stares straight at the camera. There are a bunch of them in this cartoon, including the policeman in this sequence. My guess is Hugh Fraser is the animator for a good portion of the cartoon up to now. Later, I spotted a Carlo Vinci rubbery head-shake take like in one of the early Yogi Bear cartoons. I don’t know who else animated on this. Oh, yes, the ubiquitous traffic cop. His cruiser smashes into the back of George’s car which stops suddenly. “Rassin, drassin, rassin,” grumbles the officer who evidently is a fan of Muttley cartoons (Don Messick, who voiced Muttley, also does the cop). “Pull yourself together, O’Ranium,” he says to himself after seeing the small Jetson. “You’ve been working too hard. When I start seein’ little guys flyin’ around, it’s time to retire to that chicken ranch I have up on that asteroid.
Next sequence: George at home. Jane doesn’t catch on right away that George has shrunk. And then... the take is a two-drawing cycle, animated on twos.
Pun: Jane: “You look like an insect.” George: “Do you have to bug me, too?”
Now a bunch of too-small jokes that would work with any character that has been shrunk in size. George can’t control a turkey leg and falls off the dining table. He is covered in salt. He can’t control a milk glass and lets the glass fall on top of him. He finally drinks the milk out of a baby bottle. He’s swallowed by the powerfully-snoring Astro. He showers in the sink. He sips coffee from a cup through a straw. He’s licked by Astro and sails into the coffee cup.
The next sequence is fairly straight-forward. At Cogswell’s head office/factory, George gets past two guards (with ‘C’ for ‘Cogswell’ on their belts) due to his height but is caught by Cogswell, who taunts him with the necessary cog. George is crafty, though (at least in this cartoon). He kicks Cogswell, Cogswell drops the cog, and George escapes with it. That’s despite Cogswell’s attempt to use a fly swatter on him; Jetson goes right through it (“After a century of brilliant scientific progress, you’d think someone would invent a decent flyswatter”) then a golf club; it wraps around Cogswell’s neck after missing him (“I knew I should have used a five iron”); finally, he gets out from under a glass by sticking a pin (where did THAT come from) in Cogswell’s hand.
Back at Spacely Sprockets, George fixes the machine and become regular size again. Meanwhile, Spacely shows up in overalls and, with an Austrian accent, pretends to be a repairman to fix Mini-Van. Spacely looks at Cogswell’s butt. “I’d recognise that sneaky Cogswell anywhere.” George activates the machine, the two jerk tycoons become shrunk, the Mini-Van malfunctions and can’t be fixed for a week when a new fuse arrives. Spacely and Cogswell spend the rest of the scene bashing each other over the head with playing cards.
Back at the Jetson home. What’s for dinner? Shrimp! “Rook at the rimp! Rook at the rimp!” adds Astro as a variation on the Jetsons’ B-theme plays to end the cartoon.
Go to this post and see some storyboard drawings and the opening background.