Art Lozzi is responsible for one of my favourite background paintings in one of my favourite Huckleberry Hound cartoons. Joe Barbera and Charlie Shows plopped Huck in the story of Little Red Riding Hood in a cartoon called Little Red Riding Huck. Huck tries to be helpful in his usual way but ends up getting arrested, while Red, the wolf and grandma just want to act out the story in the book as they have for generations.
Because it’s a fairy-tale setting, Lozzi paints some large, colourful mushrooms in the woods. I’ve snipped this together the best I can.
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The backgrounds in this cartoon are decorative, yet fairly simple looking. Here’s a clearing in the woods. Lozzi decided to go in for flowers in this cartoon.
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Two different yard exteriors. The fence on the left is on an overlay. That means Huck can walk from behind the overlay and look like he’s coming through the entrance in the fence. I like how the tree in the first background has various colours.
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Here are two house exteriors. Again, the portion of the house on the right is on an overlay so Huck can walk through the entrance. The welcome mat is on a cel as it lifts up later in the cartoon as the wolf tries to get rid of Huck.
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And two interiors. Not as flat as a UPA design might have been. Note the glazing effect on the window.
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There are lots of great elements in this cartoon—the annoyed wolf talking to the audience; Huck in a lame disguise as an ice-cream man, the college geek that somehow finds his way into the story. Lozzi’s backgrounds enhance the storyline very nicely, just another reason for the sudden popularity of the Huck show and its 1960 Emmy win.
Because it’s a fairy-tale setting, Lozzi paints some large, colourful mushrooms in the woods. I’ve snipped this together the best I can.
The backgrounds in this cartoon are decorative, yet fairly simple looking. Here’s a clearing in the woods. Lozzi decided to go in for flowers in this cartoon.
Two different yard exteriors. The fence on the left is on an overlay. That means Huck can walk from behind the overlay and look like he’s coming through the entrance in the fence. I like how the tree in the first background has various colours.
Here are two house exteriors. Again, the portion of the house on the right is on an overlay so Huck can walk through the entrance. The welcome mat is on a cel as it lifts up later in the cartoon as the wolf tries to get rid of Huck.
And two interiors. Not as flat as a UPA design might have been. Note the glazing effect on the window.
There are lots of great elements in this cartoon—the annoyed wolf talking to the audience; Huck in a lame disguise as an ice-cream man, the college geek that somehow finds his way into the story. Lozzi’s backgrounds enhance the storyline very nicely, just another reason for the sudden popularity of the Huck show and its 1960 Emmy win.