I did stumble across two articles which are amusing when taken together. There has been no end of self-appointed experts looking way down upon the masses and telling parents what their children should watch. The articles are amusing because they give completely opposing views. Incidentally, these are the types satirised by the great Warren Foster in that Jetsons episode where all television of the future has been forced to become “educational”—and is completely boring.
The National Association for Better Radio and Television proclaimed in its 1965 booklet (available for $1 from its headquarters in Los Angeles):
QUICK DRAW McGRAW—CBS, Saturdays. Recommended for children. Three cartoons (Augie Doggie, the detective team of Snooper and Blabber and Quick Draw McGraw) in a show with consistent satiric wit and gentle humor. Action and story interest. Too many commercials.On the other hand, there is an 11-page pontification in the November 1963 edition of Canada’s Chatelaine magazine by psychologist Douglas William Jones, partly quoting the head of something called Social Research Incorporated. It talks about “inner needs,” “deeper instincts” and other psycho-babble. Snooper and Blabber, in his estimation, are “harmful.” Oh, not just them. All cartoons are harmful, with the exception of the ones appear on that programme hosted by the benevolent, benign Walt Disney.
Almost all children’s shows were bad, too, though he liked the CBC’s Razzle Dazzle. Of hoary old Howdy Doody, he wrote:
It was found that the show appealed to the repressed hostilities of children, hostilities they cannot express openly. It did this by making fun of adults or depicting them in unattractive ways. The “bad” characters were all adults. They were represented as being extremely powerful or downright foolish.Then he informs us:
In my own analysis of cartoons, a good example of thinly disguised, symbolic parent-child relationships could be found in the Quick Draw McGraw series. The bigger stronger figure is shown as a bumbling complacent nitwit. He dreams big dreams, and starts out on heroic missions. In the end the smaller younger characters do all the work and solve all the problems. It is worth noting that they sometimes appear to let the adult figure take the credit. In other cartoons, the childlike figures get away with outrageous behavior. Pixie and Dixie, with their traditional enemy Mr. Jinx [sic]; Bugs Bunny and Elmer Fudd—the list can be extended indefinitely.All this is news to me. I never thought of Snooper as some kind of father substitute. He was a private eye that did and said funny things and sometimes even won a case. I probably have more “hostilities” for people who invent imaginary hostilities than I do for people or drawings in television comedy shows. I laughed at cartoons and then went on to other things as the day wore on. I suspect you did, too.
What else can I tell you about Snooper and Blabber? Well...
● Blab was played in the first four cartoons by KFWB drive announcer Elliot Field.
● Daws Butler said the voice of Snooper was based on comic actor Tom D’Andrea, not Ed Gardner as Archie on the radio show “Duffy’s Tavern,” though Maltese borrowed from Archie’s vocabulary to craft dialogue.
● Jean Vander Pyl’s first role at Hanna-Barbera was in a Snooper and Blabber cartoon (Big Diaper Caper) where she played Mrs. J. Evil Scientist, using her Tallulah Bankhead voice.
● Moaning hyena Hardy Har-Har was a character in one Snooper and Blabber cartoon (Laughing Guess). Maltese banked the idea and revamped it several years later for another series. Something to do with a lion that was lippy.
● The orange version of Snagglepuss was Snooper and Blabber’s nemesis in two cartoons.
● “Tralfaz” makes an appearance, as our heroes spend one cartoon (De-Duck-Tives) coping with a rare, but annoying, Tralfazian duck (voiced by Red Coffey).
Perhaps my favourite routine in a Snooper and Blabber cartoon comes in A Prince of a Fella where Snow White speaks in a Katharine Hepburn voice and goes on about calla lilies. It seemed so silly to me as a kid. I had no idea at the time it was from dialogue in a Hepburn movie.
Here is the promised endless cycle, slowed down a bit from the cartoon it appeared in. It’s from the opening of Observant Servants. Ed Love provided the animation. The cityscape is by Bob Gentle. Both were MGM veterans. It takes 16 drawings to get from one end of the background painting to the other.
