The Prowler was the third Flintstones cartoon put into production. Can you guess who the animator was on it?
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Fred’s mouth in the frame above is kind of like Carlo Vinci’s work, but not as angular. (Note the thick ink lines on Fred).
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This frame should give it away. Only one animator gave Fred a huge open mouth and floppy tongue. That was the great George Nicholas, one of my favourite Hanna-Barbera animators. He did really funny work on the Quick Draw McGraw vs. Snagglepuss cartoons when he came over from Disney, and infused Mr. Jinks with some nice personality poses in Lend-Lease Meece.
More big mouths.
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Only Nicholas would do scare animation like this.
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Nicholas liked wavy mouths and beady eyes. My favourite wavy mouth/beady eye take is in Dino Goes Hollyrock when Dino learns they’re going to slice off part of his tail to make him more telegenic.
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Here’s something I’ve never noticed Nicholas do before. He closes one eye of a character and holds the drawing.
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Something else Nicholas did in a couple of Flintstones episodes was dialogue with the eyes closed and an open almost-grin, tilting the head back slightly.
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Nicholas doesn’t animate the whole episode. There’s some Ken Muse footage as well. It’s very prosaic next to Nicholas’. Perhaps the studio had to add scenes to lengthen the cartoon. My wild guess is Walt Clinton handled most, if not all, the layouts in this episode.
Nicholas had come to Hanna-Barbera after production of Sleeping Beauty ended at Disney. You can read a short bio from Nicholas’ obituary in this post.
Another great cartoon with Nicholas animation is the....oh, the phone. Pardon me.....Hello, Yowp Request Line, if you want to swoon, we’ve got the tune....What?.....You want to hear that Far East music of Hoyt Curtin’s from The Prowler?.....You got it....And, by the way, what’s your favourite At-Work Cartoon Blog with the Phrase That Pays?.....Oh.....Yeah, I guess that one’s all right. Thanks for calling.
Okay, by request, here are some cues. I think the first three were used in the cartoon. I don’t know about the others. “Jiu Jitsu” and “Chinese Jitsu” are the actual names of the tracks; the other ones weren’t labelled.
I’ve given up embedding media players; you’ll have to click on a title and hope your own player calls it up.
FIRST LESSON
FIRST LESSON ALTERNATE ENDING
JIU JITSU
CHINESE JITSU
CHINESE JITSU No 2
CHINESE JITSU No 3
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Fred’s mouth in the frame above is kind of like Carlo Vinci’s work, but not as angular. (Note the thick ink lines on Fred).

This frame should give it away. Only one animator gave Fred a huge open mouth and floppy tongue. That was the great George Nicholas, one of my favourite Hanna-Barbera animators. He did really funny work on the Quick Draw McGraw vs. Snagglepuss cartoons when he came over from Disney, and infused Mr. Jinks with some nice personality poses in Lend-Lease Meece.
More big mouths.
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Only Nicholas would do scare animation like this.
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Nicholas liked wavy mouths and beady eyes. My favourite wavy mouth/beady eye take is in Dino Goes Hollyrock when Dino learns they’re going to slice off part of his tail to make him more telegenic.

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Here’s something I’ve never noticed Nicholas do before. He closes one eye of a character and holds the drawing.

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Something else Nicholas did in a couple of Flintstones episodes was dialogue with the eyes closed and an open almost-grin, tilting the head back slightly.

Nicholas doesn’t animate the whole episode. There’s some Ken Muse footage as well. It’s very prosaic next to Nicholas’. Perhaps the studio had to add scenes to lengthen the cartoon. My wild guess is Walt Clinton handled most, if not all, the layouts in this episode.
Nicholas had come to Hanna-Barbera after production of Sleeping Beauty ended at Disney. You can read a short bio from Nicholas’ obituary in this post.
Another great cartoon with Nicholas animation is the....oh, the phone. Pardon me.....Hello, Yowp Request Line, if you want to swoon, we’ve got the tune....What?.....You want to hear that Far East music of Hoyt Curtin’s from The Prowler?.....You got it....And, by the way, what’s your favourite At-Work Cartoon Blog with the Phrase That Pays?.....Oh.....Yeah, I guess that one’s all right. Thanks for calling.
Okay, by request, here are some cues. I think the first three were used in the cartoon. I don’t know about the others. “Jiu Jitsu” and “Chinese Jitsu” are the actual names of the tracks; the other ones weren’t labelled.
I’ve given up embedding media players; you’ll have to click on a title and hope your own player calls it up.
FIRST LESSON
FIRST LESSON ALTERNATE ENDING
JIU JITSU
CHINESE JITSU
CHINESE JITSU No 2
CHINESE JITSU No 3