I love old cartoons and I love 1950s stock music. This blog was started ten years ago as a place to document the stock cues used on every cartoon on the first season of “The Huckleberry Hound Show,” along with a few frames from each and some random thoughts. That goal was passed long ago. We’ve now reviewed every cartoon from all four seasons of the Huck show, save Hokey Wolf, as well as every short from my favourite series, Quick Draw McGraw. That’s all I really wanted to review. Somehow, things kept going and “The Yogi Bear Show” cartoons and “The Jetsons” have been reviewed as well. There have been just over 1,320 posts.
All blogs come to an end. So my intention is to make this the last post.
I’d like to use this space to thank everyone who has dropped by here over the years. I’d especially like to thank those who have left comments, or corrected my mistakes and typos, or added information that I didn’t know. I’m not an animator, I’ve never worked in animation, I can’t even draw. I’m just a guy who likes old cartoons. Having people who know the industry take the time, put up with my lack of knowledge, and add their insights here has been of great benefit, I think, to all the readers.
Rewatching cartoons that I first saw more than 55 years ago (and, in many cases, have rarely seen since) has been an interesting exercise. I’ve watched them with fresh adult eyes, not with nostalgic ones; I don’t pine for childhood days of 1963. Not all of the cartoons were great. Some were disappointing. But others hold up very well and are still pretty entertaining. People should love cartoons for what they are, not because of who we were before adulthood. And I still find it funny that someone came up with a cartoon character that only says “Yowp!”
I’m bowled over by the fact I’ve had the chance to chat with Tony Benedict and Jerry Eisenberg. I’d never have thought, years and years ago, I’d ever talk to anyone whose name I saw on the TV whenever the credits were shown. They’re both very nice people. And funny, too. What pleasure they’ve brought to so many people. Isn’t that a great legacy? Author Jerry Beck has taken some of his limited personal time to be incredibly encouraging. I devoured his Scarecrow Press book he wrote with Will Friedwald when it came out almost 40 years ago and am a little floored he has corresponded with a complete stranger like me. Animator Mark Kausler has been kind and generously volunteered any help he could give, especially his knowledge of cartoons and animators. He is a true friend of animation history. I am fortunate to have had a chance to correspond with Elliot Field, the retired KFWB rock jock who was the original voice of Blabber Mouse in 1959.
Thank you to those who dug up and sent me the Capitol Hi-Q and Langlois Filmusic cues you’ve heard for decades in these cartoons. I looked for them for years not knowing exactly what I was looking for. It’s so fun to hear them without voices or sound effects on top of them. (As a side note, YourPalDoug really is a pal. So is that entertaining pianist, Dave Powers).
Richard Holliss contacted me out of the blue from the U.K. and asked if I’d like scans of his colour Yogi Bear and Flintstones comics. You can thank him for his generosity; the artwork is a treat and it’s a shame there’s never been a will by a publisher to put them in a book.
Thank you to the late Earl Kress. He knew more about these cartoons than probably anyone else and graciously shared his knowledge. He hunted down stock music so it could be cleared for use on CD and DVD. He rummaged through Hanna-Barbera’s archives looking for decent film of bumpers so fans could see them again. And listened to reels of Hoyt Curtin’s recording sessions. Earl’s an unsung hero and I really miss him.
It’s a little stunning to see that this blog has attracted readers from all over the world. And, judging by people who are on the Yowp Facebook account, Hanna-Barbera cartoons cut through race, age, religion, political beliefs and sexual orientation. They unite people around the world with smiles and laughter. Humanity needs something like that every day.
So, again, thanks.
All blogs come to an end. So my intention is to make this the last post.
I’d like to use this space to thank everyone who has dropped by here over the years. I’d especially like to thank those who have left comments, or corrected my mistakes and typos, or added information that I didn’t know. I’m not an animator, I’ve never worked in animation, I can’t even draw. I’m just a guy who likes old cartoons. Having people who know the industry take the time, put up with my lack of knowledge, and add their insights here has been of great benefit, I think, to all the readers.
Rewatching cartoons that I first saw more than 55 years ago (and, in many cases, have rarely seen since) has been an interesting exercise. I’ve watched them with fresh adult eyes, not with nostalgic ones; I don’t pine for childhood days of 1963. Not all of the cartoons were great. Some were disappointing. But others hold up very well and are still pretty entertaining. People should love cartoons for what they are, not because of who we were before adulthood. And I still find it funny that someone came up with a cartoon character that only says “Yowp!”
I’m bowled over by the fact I’ve had the chance to chat with Tony Benedict and Jerry Eisenberg. I’d never have thought, years and years ago, I’d ever talk to anyone whose name I saw on the TV whenever the credits were shown. They’re both very nice people. And funny, too. What pleasure they’ve brought to so many people. Isn’t that a great legacy? Author Jerry Beck has taken some of his limited personal time to be incredibly encouraging. I devoured his Scarecrow Press book he wrote with Will Friedwald when it came out almost 40 years ago and am a little floored he has corresponded with a complete stranger like me. Animator Mark Kausler has been kind and generously volunteered any help he could give, especially his knowledge of cartoons and animators. He is a true friend of animation history. I am fortunate to have had a chance to correspond with Elliot Field, the retired KFWB rock jock who was the original voice of Blabber Mouse in 1959.
Thank you to those who dug up and sent me the Capitol Hi-Q and Langlois Filmusic cues you’ve heard for decades in these cartoons. I looked for them for years not knowing exactly what I was looking for. It’s so fun to hear them without voices or sound effects on top of them. (As a side note, YourPalDoug really is a pal. So is that entertaining pianist, Dave Powers).
Richard Holliss contacted me out of the blue from the U.K. and asked if I’d like scans of his colour Yogi Bear and Flintstones comics. You can thank him for his generosity; the artwork is a treat and it’s a shame there’s never been a will by a publisher to put them in a book.
Thank you to the late Earl Kress. He knew more about these cartoons than probably anyone else and graciously shared his knowledge. He hunted down stock music so it could be cleared for use on CD and DVD. He rummaged through Hanna-Barbera’s archives looking for decent film of bumpers so fans could see them again. And listened to reels of Hoyt Curtin’s recording sessions. Earl’s an unsung hero and I really miss him.
It’s a little stunning to see that this blog has attracted readers from all over the world. And, judging by people who are on the Yowp Facebook account, Hanna-Barbera cartoons cut through race, age, religion, political beliefs and sexual orientation. They unite people around the world with smiles and laughter. Humanity needs something like that every day.
So, again, thanks.